Gwon
Osang has long explored the relationship between photography and sculpture. If
in his early series ‘Deodorant Type’ he constructed sculptures by attaching photographic images onto
three-dimensional structures, in the ‘Relief’ series he
questions the physical conditions of sculpture on a more fundamental level.
Gwon
Osang has long explored the relationship between photography and sculpture. If
in his early series ‘Deodorant Type’ he constructed sculptures by attaching photographic images onto
three-dimensional structures, in the ‘Relief’ series he
questions the physical conditions of sculpture on a more fundamental level.